See also / Siehe auch / Consultare anche / Lásd még / Voir également / Ver también: https://independent.academia.edu/JuditZsovár
‘Successor to the “Rival Queens”: The London Engagement of Handel’s Faithful Soprano, Anna Maria Strada del Pò’. In: Händel-Jahrbuch 62 (2016), pp. 415–428. https://www.baerenreiter.com/shop/produkt/details/BVK1456/
‘G. F. Händel és Anna Maria Strada művészi szimbiózisa’, Magyar Zene 54/3 (2016), pp. 324–342. http://mzzt.hu/pdfs/mz%202016_3_324_Zsovar.pdf
‘In Favour with Queen and Nation: Giulia Grisi, the “Fugitive Norma” in London’, Studia Musicologica 59 (2018) 3–4, pp. 419–438. https://akjournals.com/view/journals/6/59/3-4/article-p419.xml?body=pdf-13625
In Zusammenarbeit mit Andrea Sommer-Mathis: “Didone abbandonata-Aufführungen am Wiener Kärntnertortheater in der ersten Hälfte des 18. Jahrhunderts”. In: Milada Jonášová e Tomislav Volek (a cura di), Didone come soggetto nel dramma per musica; Collana: L’opera italiana nei territori boemi durante il Settecento III (Praga: Academia, 2018), pp. 213–234. https://www.martinus.sk/?uItem=628477
‘Insights into the Early Years of Vienna’s First Public Opera House: Farinella at the Kärntnertortheater, 1730–1732’. In: Cristina Scuderi and Ingeborg Zechner (Eds.), Opera as Institution: Networks and Professions (1730-1917), (Münster: LIT Verlag, 2019), pp. 37–53. https://www.lit-verlag.de/isbn/978-3-643-91149-0
‘Strada, Anna Maria’. In: Dizionario Biografico degli Italiani, vol. 94 (2019), pp. 288–290. https://www.treccani.it/enciclopedia/strada-anna-maria-detta-la-stradina_(Dizionario-Biografico)/
‘Bellini félreértése: Giulia Grisi mint Norma’. In: Kim Katalin, Békéssy Lili, Gusztin Rudolf és Horváth Pál (Szerk.), Zenetudományi Dolgozatok 2017–2018: Tallián Tibor tiszteletére, (Budapest: Bölcsészettudományi Kutatóközpont Zenetudományi Intézet, 2019), pp. 101–110. http://real.mtak.hu/122876/
‘Book Review: Berta Joncus (2019), Kitty Clive, or The Fair Songster’, Handel News 76 (September 2019), pp. 22–23. https://handelfriendsuk.com/2019/09/01/book-review-berta-joncus-kitty-clive-or-the-fair-songster-boydell-brewer-2019-541-pp/
‘Baroque prototypes of the soprano sfogato?’, Handel Institute Newsletter 30/2 (Autumn 2019), pp. 1–4. https://handelinstitute.org/wp-content/uploads/2020/01/Volume30-Issue2.pdf
Anna Maria Strada, Prima Donna of G. F. Handel (Berlin / New York: Peter Lang 2020) https://www.peterlang.com/document/1058234
‘Singers of the Viennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios’. In: Berthold Over and Gesa zur Nieden (Eds.), Operatic Pasticcios in 18th Century Europe: Contexts, Materials and Aesthetics, (Bielefeld: transcript Verlag, 2021), pp. 425–446. https://www.transcript-publishing.com/978-3-8376-4885-0/operatic-pasticcios-in-18th-century-europe/
‘A “Centaur” in Music and Genre: G. F. Handel’s Parnasso in festa for Princess Anne’s Wedding’, Studia Musicologica 63 (2022) 3-4, pp. 347–366. https://akjournals.com/view/journals/6/63/3-4/article-p347.xml
‘Liner notes (EN, FR, DE) to Amate Stelle: Arias for Anna Maria Strada.’ Marie Lys, Abchordis Ensemble, Andrea Buccarella. Recorded at Paroisse catholique du Sacre-Coeur (Basel), 18-22 October 2019. Glossa GCD923536, 2023, Compact disc, pp. 7–22. https://www.chandos.net/chanimages/Booklets/GS3536.pdf
“Maria Camati detta la Farinella: Eine junge Sopranistin am Wiener Kärntnertortheater (1730–1732)”. In: Andrea Sommer-Mathis und Reinhard Strohm (Hrsgg.), Das Wiener Kärntnertortheater 1728–1748: Vom städtischen Schauspielhaus zum höfischen Opernbetrieb (Wien: Hollitzer Verlag, 2023), Specula Spectacula 14, pp. 619–646.
https://www.hollitzer.at/buch/das-wiener-kaerntnertortheater-1728-1748
Judit Zsovár 